Nikon Digital Camera Blog

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Nikon D 40

D 40; Devastating its predecessor the Nikon D50 , the all new compact and affordable point-and-shoot comes at a significantly lower cost. With a subtly different set of features Nikon has trimmed a quantity of the ‘less important features and have included a range of new features including the custom Auto ISO feature available on the Nikon D80 Digital SLR cameras. Nikon appears to have concentrated on what makes a nice camera. A solid viewfinder,a short shutter lag, and an exceptionally short viewfinder blackout. On the negative side the Nikon d 40 Digital SLR camera does not have an internal focus drive motor and as a result no mechanical focus drive pin. it’s CPU contacts allowing Auto Focus only with AF-S and AF-I lenses which have built-in focus motors.

nikon d 40

This means the Nikon ‘standard’ lenses the Nikkor 50 mm F1.8D and the F1.4D will be manual focus only on the Nikon d 40 Digital SLR camera. The difference in the lens mount of the Nikon d 40 Digital SLR camera and this is the mechanical focus drive pin at about the 7 o’clock position on the mount of the Nikon D80 Digital SLR camera. I personally bought the camera and my relatives and I have been taking pics non cease since purchasing it in January 2007. I highly recommend the Nikon d 40 Digital SLR camera for an entry level professional grade camera.

I also would recommend purchasing a large memory chip I bought a 4GB chip for under 100 dollars at Futureshop and it held over 1600 images at the highest resolution the camera offers. Hats off to Nikon, for delivering a solid, affordable with multitude of features and resisting the temptation to enter the chase for more mega pixels.

The Nikon d 40 is an entry-level digital SLR camera that is ideal for amateur photographers & those who are planning to get an SLR camera for the very first time. It’s a nice mix of point-and-shoot camera features as well as some high-end SLR camera features found on more costly professional cameras.

This model has a 6MP picture sensor & is powered by Nikon’s D200 processing engine. In this new model, Nikon has removed the second status LCD (found on its predecessor) & settled with a spacious four.5-inch LCD display. The menu interface on the Nikon d 40 digital SLR camera is simple to make use of. With a touch of a button, you can immediately view all you current settings on the LCD display.

The quality of the images taken was excellent. The images had vivid colors with minimal distortion & excellent exposure levels. of the flaws of the Nikon d 40 camera will must be its shutter lag. Under dark lighting conditions the lag can drag to up to one.6 seconds. Nevertheless in continuous-shooting mode, it can take up to four.5 frames per second, of the best in its class. This camera is highly recommended for any who is looking to upgrade to SLR cameras for the very first time.

The Nikon d 40 digital SLR camera scores well in the looks department. It looks every bit like a professional camera & has well-placed buttons & controls. It’s a nice grip & fells comfortable in your hands, even after holding it for extended periods of time. The buttons are well marked, & can basically be spotted even under poor lighting conditions. Nikon D 40.

How to buy a camera lens

An executive summary about buying a camera by Rick Lepage

If you purchased your digital single-lens reflex (DSLR) as part of a kit, you already have a basic lens that takes pretty good pictures. From powerful zooms that get you up close to high-speed lenses that specialize in low-light settings, you have plenty of options for your second lens. While some lenses may go for more than you spent on your camera, you don’t have to pay a lot to get a great lens. Focal Length Technically speaking, a lens’s focal length, represented in millimeters, is the distance between the rear element of the lens and the focal plane, where the parallel beams of light entering a lens converge to a point. This matters to you because the focal length determines the lens’s viewing angle. As a result, a 35mm lens has a field of view equivalent to that of a 52mm lens when placed on the D40.

Aperture The other key component in evaluating a lens is its aperture. Because it collects more light, a lens that opens to a wide aperture lets you maintain faster shutter speeds in low light-this can be essential for obtaining sharp images from a handheld camera. The speed of a lens is described by its maximum aperture. This lens zooms from 55mm, with a maximum aperture of f/4, to 200mm, with a maximum aperture of f/5.6. Keep in mind that faster lenses-lenses with smaller maximum apertures-are generally both heavier and more expensive than slower lenses. Canon lenses with image stabilization have IS in their name, while uses the term Vibration Reduction, or VR. Of course, you won’t need stabilized lenses if your camera body offers image stabilization. The zoom lens included with many DSLR kits offers a focal length range of 18mm (equivalent to 28mm to 35mm, depending on the camera’s crop factor) to 55mm (equivalent to 80mm to 105mm). When you’re ready to expand, consider investing in a prime lens (which has a single focal length) or a longer zoom lens.

Prime Lenses If you’re looking to develop your compositional skills and get a better lens in the process, I recommend purchasing a prime lens with a focal length between 35mm and 85mm. Prime lenses tend to have better glass in them than comparably priced zoom lenses, and they get you out of the “zoom rut,” where you stand in one place and zoom in or out to fill your frame. Also, most prime lenses have a wider maximum aperture, which makes it easier to get sharp shots under low-light conditions.

These images show the difference a prime lens with a wide aperture can make. The image on the left was taken with Canon’s 24-85mm f/3.5-4.5 lens. The image on the right was taken with Canon’s 85mm f/1.8 prime lens. All of the major camera companies offer good prime lenses from 35mm to 100mm at prices under $500. For Digital Rebel owners looking for a good starter lens, I recommend Canon’s 35mm f/2.0 and 50mm f/1.8. Both lenses offer better low-light performance than the zoom lenses that come in the kits. Zoom Lens If you want to grab action photos, a telephoto lens in the 100mm to 300mm range is your best bet. A 200mm telephoto lens turns into a 300mm lens on a Nikon D40. Likewise, Canon’s 70-300mm f/4-5.6 IS lens-one of my all-time favorites-becomes a 112-480mm zoom on a Canon Digital Rebel XTi. I go to a couple of Web sites for lens reviews. Rentglass.com rents lenses for Canon and Nikon DSLRs on a weekly basis.

Before you buy Nikon SLR you should know these

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As told you in the older post, is chosen by professional photographer, but many amateur photographers may convert their Coolpix camera into Nikon SLR as well, by this blog I will tell you many things should to know before buy.

Here are the benefits of Nikon SLR as written by Christ Robert:

  • Interchangeable Lenses, you can swap the lens on a digital SLR as much as you like
  • Optical Viewfinder, what you see through the viewfinder is what you get in the final image
  • Large sensor, increased sensor size (vs. compact cameras) allows SLRs to capture high-quality photos in low-light conditions
  • High Speed, these cameras are FAST, with instant startup times and zero delay between shutter press and image capture

Nikon SLR has also extra feature, here are the extra features of Nikon SLR:

  • Dust Control – dust can get on your camera’s sensor when you’re chaning a lens, and shows up in every photo you take. Dust control is designed to prevent this.
  • Image Stabilization – this feature helps you take clear photos in low-light conditions when you can’t use a flash
  • Live View LCD – this shows a preview of the image you’re about to take, much like the LCD on every compact digital camera

What’s missing:

  • No Movies – digital SLR cameras don’t capture movies. They’re for still ONLY
  • No LCD Previews – many digital SLRs don’t display a preview of the image you’re about to take on the LCD (with some notable exceptions)
  • Not Compact – digital SLRs can’t fit into a pocket – even the compact ones are quite large and bulky (the lens can add a lot of size and weight).

Here are Nikon SLR you can choose: