Nikon sb600; Creative Lighting System and Speed-light
Nikon sb600; Creative Lighting System and Speed-light
The Nikon creative lighting method is a wireless lighting method that allows a photographer to control multiple speedlights wirelessly from where he or she is standing. The requirements for this type of wireless triggering method to work is line of sight. This means that the speedlight units need to be able to see each other. More exactly, the infra-red receiver port on the remote or slave speedlight needs to be able to pick up the signal coming from the master or commander speedlight mounted on your Nikon DSLR.
All you need for CLS (creative lighting method) to work is a CLS-capable speedlight to act as a master, and another CLS-capable speedlight as the remote. The Nikon SB900 and SB700 speedlights are CLS-capable, and have handy switches that let you make use of CLS basically. The Nikon SB800 is also CLS-capable, though it makes use of a cumbersome menu method for CLS. The Nikon SB600 is only partially CLS-capable, as in it can only function as a remote, not a master. In case you only have CLS-capable speedlight, you can also use your built-in flash on your Nikon DSLR (sure models only) to act as a master, or commander as Nikon puts it.
Speed-light with Nikon sb600
For a fill light and highlighting the brilliant colors of the King Penguins of South Georgia We used my Nikon SB600. It is little and light to be comfortable in a belt pouch where it is prepared and basically available. In that chilled climate the batteries stayed warm under my parka. We have always believed that keeping them warm prolongs their life. We use rechargeable NiMH batteries in the 2600-2900mAh range, which gives me ample service between charges.
For nighttime shots or longer exposures, We over my small electronic shutter release, which fits neatly in a case and hangs from the camera strap. Oh yes, and how do We take the long exposures at night, you ask? We forgot to mention, We also over a tripod. My choices are a heavy-duty Bogen or a lighter version Manfrotto. When We are not pressed to capture images of animals on the move like birds in flight, my tripod serves me well. must recognize the advantage or disadvantage of each type. The better tripods give you the additional choice of an adjustable swivel head, which can basically add another pounds or more.
In the finish, all these and even more choices are part of the fun of photography. It is still up to you, based on your degree of interest, finances and motivation whether you hang a 12x tremendous zoom point and shoot around your neck or pack all of your toys like a survival weekend in the mountains.
As for flying birds in Antarctica, We found that my monopod was actually a better gizmo for stabilizing my 300mm lens because it allowed me to move quickly and to follow the target. The steadiest of youthful hands will find that even a ‘stabilized’ lens can be improved by a physical support to make positive the sharpest picture. Stabilized lenses are a brilliant advancement in expertise, but having a physical support to make positive the best picture is still a time proven technique. Mounting my camera on a tripod also forces me to spend more time thinking about all the elements of my exposures.





